The natural Navigation: The Right Course, Naturally

My thanks to Fred Smith, a retired airline pilot who was on Thursday’s course, for sending in this shot of the sunset in Tobago. The photo is taken from 11 degrees north, on 14 September, looking slightly north of west at about 6.30pm.

Regular blog readers will know that I am a bit of a fan of Robert Pirsig’s book, ‘Zen and the Art of Motorcycle Maintenance‘. I’m just about to finish the sequel, ‘Lila‘, which is also a bit of a positive mind-bender (that is if you have some alternative views, and possibly a negative one if you consider yourself a conformist. Come to think of it, a conformist wouldn’t buy the book, and if they stumbled across it would be unlikely to start it and if they did start it, would be extremely unlikely to finish it.)

Pirsig takes on some massive philosophical beasts in both books, but the freshness of his approach can sometimes be seen best in the way he deals with more simple and natural phenomena. This is his take on the fabled ‘green flash’ of the setting sun,

‘When Phaedrus started to read yachting literature…

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Happy Summer Solstice everyone. Sunrise and sunset will be closer to north than east or west at this time of year for most of Scotland.

This photo is taken looking southeast. The setting sunlight can be seen bouncing off the northwestern edges of the clouds.

I can remember sitting at a restaurant in the small and perfectly formed fishing village of Trehiguier in southern Brittany last July. I had my back to the sun, which was setting behind the row of houses behind me. I watched the crisp edge of a chimney corner move upwards and to the right as the sun slipped down and to the left behind me. My poor wife had to watch me gauging the sun with a fist and then outstretched fingers and then listen to me predict when the chimney shadow would reach our table.

Last night my wife was spared such ordeals as I was working outside, in a small patch of woodland. I watched the sun’s light moving up the trees in front of me. Unlike the crisp edges of the chimney shadow, the edges were blended. The…

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This is a picture I took about half an hour ago and it is one of those that might be dismissed by those not trained in the dark arts as a ‘typical English country scene’. With closer inspection it yields navigational fruit aplenty.

The foreground shadow confirms that the sun is no longer visible from this viewpoint, but the direction of the early evening sun is easy to detect from the long shadows in the middle ground. We are therefore looking south.

The smoke from the two fires reveals that the wind is light and variable. In the space of little more than a hundred metres it goes from next to nothing to a light north-easterly breeze.

In the top left of the picture, just above the tree line the south coast sea can just be seen. It is running from left to right, or an east-west line, which…

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